
SELECT WRITINGS
The Poem Formerly Known as the Poem Formerly Known as Stupid
If I could begin again, I’d be wise.
I mean, I’d be a drummer,
not a poet. I’d be an ancient moose
in Algonquin Park happening upon two
hikers in a declining empire of red
leaves. I’d walk
toward the couple to startle them
because I’m MASSIVE & since a poem
is a passing glance & my antlers
are an autumn elegy, they’ll soon fall
into snow & I’ll be bald.
If I could begin again, I’d argue.
I’d resist. What is life without people
to disagree with?
Did I mention drumming? A poem
is percussion & the sound of my husband,
a declining empire of one
insisting that poetry is a lost
language. I wrote a stanza
to disagree with him & one to the stupid
doctor who said I engage too much
in anal sex, inviting disease.
&/or I’d be a triolet that masquerades
as a Rengay at night, dancing
shirtless at the club & in the morning,
a sonnet with four turns. I’d name myself
Turnette, in my silk dressing gown.
I’d start a trend. I hate trends though,
the long, clever poem title for example
& the trend of people erasing each other.
But I adore the ampersand, symbol
of metaphor & balance. Both
&. I’ll alternate my sandstone lines
with a meandering saltwater moat,
filled with friendly hammerheads. Sharks
survived two millennia, through the ice
age, toxic masculinity & Jaws.
Great whites are making a comeback
after endangerment. Who
else? If I could begin
again, I’d resurrect our calm, care
about trees.
There’s no algorithm
for stupid, RuPaul says. But she means a kind
of stupid that is silly, lovely wise.
If I could, I’d be as tender with words
as with husbands & I’d hammer
out pine dining chairs into cellos
in this declining empire of misreading,
of dissing, of missing happy
endings. I’ll write
about drag story-time
helping us find the artists we are.
To begin, I’ll dress
in my favorite drag, a stupid poem
containing my whole vocabulary
written on a papyrus scroll & I’ll sashay
over a drawbridge as trumpets bleat
my arrival. I’ll pet the sharks
on their snouts & visit the queen
of all queens at her gold & sapphire
throne. I’ll kneel before her
& read my poem aloud until I learn
something. I’ll stay for days.
there is so much to say.
When You Read What He Wrote Just for You
This is when nightmares began, the voice counting to infinity and the horses pounding down a gravel road, and there was my own voice too, the pitch I can’t recall, calling for my mother. What do you see? she would ask.
Around the same time, my father and I climbed the hundred steps of St. Joseph’s Oratory almost daily. At the top we would sit and eat ancient, freezer burned ice cream from a plastic cup with a small wooden paddle and wait for my mother to emerge from St. Mary’s hospital, from secret visits I wasn’t allowed to know about.
The ice cream was a reward for being strong enough to endure the climb, for tolerating the not knowing. What do you see? she would ask, her pale-yellow nightgown glowing in darkness. I see a road. I see a road that has no end.
Muse
If genes shut off
and on
like lights in an urban landscape
recorded from the lake’s other shore
in a time-lapsed loop
then I am a vague object
in the foreground
and a tumor
is a cluster of buildings. and words
multiply change devour
tonight
cancer is a muse
writing this poem
and I am
sentient words genes
a blinking
city
Sand Angels
Sand angels
are ghosts
we make
while still
living — giant
stick birds
all wings
and no feet