SELECT WRITINGS

The Poem Formerly Known as the Poem Formerly Known as Stupid

If I could begin again, I’d be wise.
I mean, I’d be a drummer,
not a poet. I’d be an ancient moose
in Algonquin Park happening upon two
hikers in a declining empire of red
leaves. I’d walk
toward the couple to startle them
because I’m MASSIVE & since a poem
is a passing glance & my antlers
are an autumn elegy, they’ll soon fall
into snow & I’ll be bald.

If I could begin again, I’d argue.
I’d resist. What is life without people
to disagree with?
Did I mention drumming? A poem
is percussion & the sound of my husband,
a declining empire of one
insisting that poetry is a lost
language. I wrote a stanza
to disagree with him & one to the stupid
doctor who said I engage too much
in anal sex, inviting disease.

&/or I’d be a triolet that masquerades
as a Rengay at night, dancing
shirtless at the club & in the morning,
a sonnet with four turns. I’d name myself
Turnette, in my silk dressing gown.
I’d start a trend. I hate trends though,
the long, clever poem title for example
& the trend of people erasing each other.

But I adore the ampersand, symbol
of metaphor & balance. Both
&. I’ll alternate my sandstone lines
with a meandering saltwater moat,
filled with friendly hammerheads. Sharks
survived two millennia, through the ice
age, toxic masculinity & Jaws.
Great whites are making a comeback
after endangerment. Who
else? If I could begin
again, I’d resurrect our calm, care
about trees.

There’s no algorithm
for stupid, RuPaul says. But she means a kind
of stupid that is silly, lovely wise.
If I could, I’d be as tender with words
as with husbands & I’d hammer
out pine dining chairs into cellos
in this declining empire of misreading,
of dissing, of missing happy
endings. I’ll write
about drag story-time
helping us find the artists we are.

To begin, I’ll dress
in my favorite drag, a stupid poem
containing my whole vocabulary
written on a papyrus scroll & I’ll sashay
over a drawbridge as trumpets bleat
my arrival. I’ll pet the sharks
on their snouts & visit the queen
of all queens at her gold & sapphire
throne. I’ll kneel before her
& read my poem aloud until I learn
something. I’ll stay for days.
there is so much to say.

When You Read What He Wrote Just for You

This is when nightmares began, the voice counting to infinity and the horses pounding down a gravel road, and there was my own voice too, the pitch I can’t recall, calling for my mother. What do you see? she would ask.

Around the same time, my father and I climbed the hundred steps of St. Joseph’s Oratory almost daily. At the top we would sit and eat ancient, freezer burned ice cream from a plastic cup with a small wooden paddle and wait for my mother to emerge from St. Mary’s hospital, from secret visits I wasn’t allowed to know about.

The ice cream was a reward for being strong enough to endure the climb, for tolerating the not knowing. What do you see? she would ask, her pale-yellow nightgown glowing in darkness. I see a road. I see a road that has no end.

Muse

If genes shut off

and on

like lights in an urban landscape

recorded from the lake’s other shore

in a time-lapsed loop

then I am a vague object

in the foreground

and a tumor

is a cluster of buildings. and words

multiply change devour

tonight

cancer is a muse

writing this poem

and I am

sentient words genes

a blinking

city

Sand Angels

Sand angels
are ghosts
we make
while still

living — giant
stick birds
all wings
and no feet